by wiredbeats on February 20, 2010
One of the most melodious tracks by Rahman comes from his work in 1998 for the movie 1947- Earth. Infact all tracks in this film are quite radical, just like the next one he did for Water. The track Dheemi Dheemi has Hariharan singing solo with very little accompaniments. Somehow the track has this awesome effect, which i think only rahman knows. He knows what not to put in a composition to get the desired result.
Anyways, i used my toys to make a real minimal mix.Some mixing stunts, no gimmicks, just a simple minimal feel I hope you guys like it! and as always leave your comments. [click to continue...]
by wiredbeats on December 25, 2009
I just love this track from Rangeela. Mangtha Hai Kya. It has this amazing freshness even after over a decade of release. There is has been no such track since it was made by Rahman. The infectious rhythm and the piano creates an cool ambient effect which is so not typical of a bollywood number. Even today. This remains one of my top 10 best by Rahman.
And now i present a club mix. Sort of Deep House meets Ambient variant with loads of Rhodes thrown in. If you like Ibiza house, you will like this. Check it out! [click to continue...]
by wiredbeats on October 26, 2009
Well actually not. But for those who have been to Rahman concerts or watched them atleast, you would notice that he has started his shows by either Rangeela’s – Spirit of Rangeela or Jaage Hai. Few concerts he has begun with a mix of Mangal Pandey’s background score and then appeared on stage with Jage Hai from GURU ost. All of them superb as beginning tracks.
I just stretched my imagination and well..imagined how it would sound if he starts with theme music of the movie Kisna, for which he was the primary composer. [click to continue...]
One of the most melodious tracks by Rahman comes from his work in 1998 for the movie 1947- Earth. Infact all tracks in this film are quite radical, just like the next one he did for Water. The track Dheemi Dheemi has Hariharan singing solo with very little accompaniments. Somehow the track has this awesome effect, which i think only rahman knows. He knows what not to put in a composition to get the desired result.
